Sunday, May 16, 2010

My Finds: A couple techniques you might want to try

I've been on the hunt for the new, unusual, or useful. You may or may not already enjoy the projects I discovered today and what I began working on. Both topics made me smile and made my fingers itch to get started. I hope you'll join in and share some of the projects you're working on along these lines.

First up is plarn. Love the word. Love the concept. It is, if I understand correctly, yarn made by recycling plastic bags.

Directions for making plarn can be found here at My Recycled Bags.com A great Earth Day project for all year around. I stumbled upon this site that has excellent directions for a purse crocheted out of VCR tapes and a basket crocheted out of plastic bags/plarn with a base that is a plastic microwave dinner tray. If you have other sites or projects to add to this, please do!

The second technique is the Disappearing 9-Patch quilt. It is a simple concept involving my beloved 9-patches. And made even simpler by starting with charm packages. Charm packs, in case you're confused, are what Moda calls a collection of 5-inch precut squares that you can purchase usually in packs of 40-50 for around $6-$8 dollars. It takes several packs to make a full size quilt of course. These packages of smaller cuts of fabric that are packaged together to introduce you to a whole collection are excellent ways to add to your stash.

The Disappearing 9-Patch begins with piecing together nine of the 5-inch squares together into a traditional nine-patch square. Make sure it is absolutely square, well pressed and starched or sized. Then cut this square down the center both horizontally and vertically. One person described it with a plus sign which is exactly how you cut this nine-patch square. +

For better directions and visual aids. Visit the blog "p.s. I quilt. This makes a quick and easy pattern for charity quilts or lap quilts for nursing homes or hospitals. Quick baby quilts, too.

Send me photos of your plarn and or Disappearing 9-Patch projects and I'll post them here. Send to my Subversive Stitchers email.

EMAILS:
Hi Dawn
Here are some pictures of the disappearing 9 patch I used for a comfort quilt.  I added some random rectangles in between the disappearing 9 patch blocks.  This project really goes fast when you start with large size blocks, like 10".  You can find more on my blog here.  --Karen

What a great idea for a comfort quilt. Love the words and messages.
It gives me ideas for the ALS quilt(s) I am making. Thanks so much!  -- Dawn

Diane of O'Quilts sent along a photo of her solid color Disappearing 9 patch quilt. She wrote: "This is fun....Here is mine :)"

You can view more of her quilts at her blog that features old, new and antique quilts.

Thanks Diane for letting us see your Disappearing 9-Patch quilt.

Saturday, May 15, 2010

Pitch Me Your Best

I'm a freelance writer as well as manager of the Subversive Stitchers: Women Armed with Needles blog. I've been freelancing and writing since 1981. (Yes, I'm getting old). Some of my work is available online or through my other blog. I've written for Quilters World Magazine, Quilt, Country Quilts, etc. And national general interest markets such as The Washington Post, Christian Science Monitor, NBC News, Catholic Today, Notre Dame Magazine, Birds and Blooms, well you get the picture.

Recently I have been writing regularly for a number of markets for quilt and fabric art related topics and artists. I have some ideas for articles that will be published in various issues, but I'm always looking for more!

If anyone has a unique or valuable experience or talent or body of work to share, please let me know. You can send me information or story ideas to a special email set up for Subversive Stitchers: Women Armed with Needles. Machine quilting is a topic I will be covering extensively as well as rare fabric art and fabric art forms. And I'm open to anything else that is noteworthy. And I do not have a good definition of 'noteworthy.' Other than something you haven't seen or read about and feel needs attention.

Perhaps there are some who would like to suggest a blog idea for Subversive Stitchers or a topic we should cover here or discuss. I'm open to all suggestions.

Thanks so much for your contributions!

Dawn

Wednesday, May 12, 2010

My View: AQS Quilt Art Calendar

The 2011 Calendars are available from American Quilters Society! As usual they are a quilt lovers collection of beautiful prizewinning quilts from around the United States.

Klaudeen Hansen researched and selected the featured quilts. The front cover is of Sylvia Gegaregian's "In Full Bloom" which won Best Use of Embellishment at Pacific International Quilt Festival in Santa Clara, CA. Gegaregian is from Portola Valley, CA.

Alternating pages of quilt photo and calendar keeps a quilt always in sight. I particularly like the information given about the quilts. Not only the maker, where he or she is from, the size of the quilt and who quilted it and what method used. It also tells a bit about inspiration, pattern origins, what award(s) have been won and even why the quilt was made. I always want to know more about techniques and materials used in these quilts, but I realize this is a calendar first, photo art second, and the cutlines are down the list of priorities.

Under Hendersonville, NC quilter Judith Heyward's 86-87-inch Swamp Hibiscus quilt it reads: "The beauty of the swamp hibiscus plant is so perfect, but each bloom only lasts for one day! Usually Judy designs spontaneously, but this particular quilt came toher as a complete vision in a 'wow' moment! Machine pieced, appliqued, and quilted. Best of Show winner at Cobblestone Quilt Show, Charleston, SC; Best Use of Color winnre at Mid-Atlantic Quilt Show, Hampton, VA."

The background colors used on the pages sporting quilt photos is bright, some neon and well chosen to enhance the display of the quilts.

Judith has generously agreed to let Subversive Stitchers post a photo of her lovely Swamp Hibiscus quilt and includes the comments made on her website concerning the inspiration for this quilt.

"...And now I have entered a new faze of my life. We have moved back to the mountains of North Carolina--in Hendersonville. We love it here and I know that it is already begining to influence my quilting life. One of my recent quilts, Swamp Hibiscus, was designed early one morning as I was seated in my new living room and reflecting on how very fortunate I was to be able to return to this beautiful part of the world. In a way that was quite unusual for me, the design for this new work came to me as a completed quilt and I knew I would absolutely love it when it was finished. I feel as if I have new eyes now--eyes that are more open than ever before. And there is much to see all around me." -- Judith Heyward  

The assortment of quilts meets every technique, color, and construction inspiration and is not limited to traditional or contemporary. Many are a mixture of familiar patterns with a twist that takes it into a whole new realm of quilting. A helpful tool to keep you organized, this calendar also serves to inspire and entertain, filling the need for beauty that we all can never quite quench.

Okay, there is one quilt that each time I see it makes me head for the sewing room or start searching for the right fabrics. There is something about African prints that speak to me and the way Jan Hall of Des Moines, Iowa incorporates them into her 52x56-inch Africana VII -- The Dark Continent quilt makes me drool, drool, drool. Sorry, I don't have a photo to show you. I have a request in to AQS, but so far no response.

The paper choice, glossy, yes, but a bit lightweight for my taste, is not flimsy just not rich. Not quite up to the qulaity of the quilt images printed on it. Overall I would say it is a good product for the $13.95 price. The spiral binder makes it much easier to use. Not exactly keepsake quality, but the quilts will inspire you for the whole year -- maybe your own creativity will increase.

Thursday, May 6, 2010

Karen McTavish featured in The Quilter Magazine

Just a little blatant self promotion here.

The article I wrote about Karen McTavish machine quilter extrordinaire is available now in The Quilter Magazine. It is in the July issue.

She is one of the most talented and giving people I've had the opportunity to interview. She does not censor her responses and totally trusts the interviewer to get it right. I certainly hope I did! And that the editor didn't make any drastic changes. I haven't seen the final copy, so I'm as anxious to see the article as everyone else.

Let me know if you've seen it!

Karen is truly a Subversive Stitcher. She's guest blogged here before. Check the column 'Guest Bloggers' to take you to her guest blog.

Tuesday, May 4, 2010

Question of the Day: Stash Confessions

Let's talk stash!


We all talk about our need to amass fabric. So please confess your dirty little pleasures for fabric purchases or aquisition.

Do you plan your purchases for each project? Do you buy on impulse? Do you wait for a sale?

Where is your favorite place to shop?

What's your best bargain or purchase that still makes you smile whenever you think about it?

Tell us -- how many yards of fabric do you estimate is in your stash?

Any advice on maintaining a stash?

Sunday, May 2, 2010

Finished: Conversation with a Fairy by Beth Wheeler

Dang! I'm a day late and a dollar short! It was the perfect post for May Day when the fairies are rustling in the hedge rows and sprucing up their world for the Fairy Queen's visit! Please forgive me my tardiness -- fairies and subversive stitchers alike.

Beth Wheeler sent me photos of the great reveal of her Conversation with a Fairy piece which was the subject of her recent guest blog: Evolution of a Fantasy.

Beth wrote in an email: "The hanger is cold-forged copper tubing that has been flashed with a torch and stitched to the quilt. I love the way the colors in the flashed copper brings out the colors in the quilt. The translucent paints are from a formula I came up with, using Earth Safe Finishes Colorants, fabric medium, and mica powders.

Of course, I'm now afraid to go on to the next piece, for fear I'll mess the whole thing up."

She's is probably relaxing after having whipped her studio in shape for an open house that was scheduled for yesterday. She has photos of her studio on her blog and I am soooo jealous!

She also included detail shots. No need to fear messing up, Beth. I believe even your mistakes would be exceptional!

Saturday, May 1, 2010

My View: Fibreart Montage by Judith Baker Montano

As you can see by a recent guest blog by Judith, she's an interesting woman, talented Canadian fiber artist, photographer and dedicated preservationist. She travels the globe spreading good will, and sharing her techniques and talent. Not to mention that she loves her home town, family, students and fabric art community.

That sweet smile and can-do nature has made her a valuable spokesperson for several major companies including the Kanagawa Silk Company of Tokyo, Japan and W.F.R. Ribbons a USA distributor for Mokuba Ribbons also of Tokyo. She designs for Treenway Silks and Robert Kaufman Fabrics Company and has author several other books as well as tutorial videos and DVDs.

Whatever she is working on, crazy quilting seems to creep into the design. She has turned this Victorian technique into a contemporary art form. Now Montano has written a compelling book: Fibreart Montage.

This 266 page book focuses on combining quilting, embroidery and photography with embellishments. It is part memoir, part instruction, part inspiration, and part discussion of products, materials and tools. Published by Dragon Threads of Worthington, Ohio, the title speaks of creative fibre works used in the quilting, needlework or fibre art field. And Montage -- "A picture or other work of art composed by assembling overlaying and overlapping of many different materials or pieces collected from different sources."

It is divided into nine sections that begin with a simple 'Getting Started' section that addresses skills the reader may have learned, supplies and tools including computers that the reader may already have. It progresses to what Judith may be best known for -- crazy quilts.

Building upon the crazy quilt technique, section three addresses the collage and tells more about the cottage quilt she wrote about in her guest blog. Since photography is an important aspect of her collage quilts, section four gives basic rules of photography, editing and choosing photos and storage. Of course included in each section are exceptional four-color photography and examples of her work.

Each section builds on what came before in the book. Thus section five references silk dying, painting silk fabric, ways of dying using plastic bags and the intriguing title "Dyeing with dye blobs." From here Montano moves on to landscapes and seascapes as well as underwater scapes that incorporate some unexpected fabrics and techniques that bring them to life.

Never fear, it wouldn't be complete without a section on patterns and an embroidery stitch guide. Throughout the book you'll be treated to a luscious display of her photography, watercolors, pen and ink illustrations. The book reads like a conversation over tea. Informal and friendly, a joy to read.

When describing constructing an aquarium scene, she doesn't miss any aspect to consider when planning it. For example she writes, "Remember that everything in the far distance is hard to see and therefore you will be working with the finest threads and using very simple stitches...." Materials used in this scene include anything and everything from netting to "Thai silk that has been punctured with the Embellisher machine." Every minute detail is included, no short cuts.

The book construction uses a convenient spiral binding so the book will lay flat for easier use and enjoyment.

You see on every page that this is a book that was written with heart and passion and a tremendous talent and wealth of experience. She's one of the masters and this is a valuable keepsake for anyone who has come to appreciate Judith Baker Montano's contribution to fiber art and the quilting community.

Cost is $36 for this hardcover beautifully illustrated book. Two thumbs up on this one, for sure!