Showing posts with label Terri Stegmiller. Show all posts
Showing posts with label Terri Stegmiller. Show all posts

Wednesday, September 23, 2009

Books written by our friends and colleagues

This is in no way a comprehensive list of my friends and readers' books, but just a few I happen to be thinking about at the moment. If any of you would care to send me information about your books, I'd be most interested!

First up is a new release by two creative fabric and mixed media artists who have both guest blogged here at Subversive Stitchers. Check the right column under Guest Bloggers for a look at what they've written. -- Dawn




Creative Ways with Books and Journals
by our very own Sue Bleiweiss and Terri Stegmiller!!!

It is available through Amazon of course or from the authors themselves. Cost at Amazon is $22.99.

Product Description:

Combine traditional book binding techniques with fabric and fibers to create journals to keep for yourself or give as gifts. You'll learn how to make beautiful hand painted fabrics using shibori and water soluble crayons and explore mixed media techniques with tissue paper, kitchen foil, paper fabric and recycled envelopes. Create gorgeous textured surface journals using machine cord, linen strips and pearl beads. With easy to follow directions accompanied by full color photos even the most inexperienced book maker will have no trouble making the eight soft cover and four hard cover book projects.

Product Details:
Paperback: 130 pages
Publisher: CreateSpace (September 18, 2009)
Language: English
ISBN-10: 144212573X
ISBN-13: 978-1442125735
Product Dimensions: 10 x 8 x 0.3 inches
Shipping Weight: 12.3 ounces



Of course we couldn't forget Lyric Kinard's recent release:


Art + Quilt


Product Description:

Secrets for quilting success are presented through a variety of techniques, exercises, and insider tips to inspire novice quilters and experienced textile artists to make genuine works of art. Simplifying the basic fundamentals of art and teaching the underlying principles of the visual language, this guide explores texture, shape, line, color, and value with examples and hands-on exercises. Essential principles—such as focal point, balance, repetition, scale, and space—are paired with creativity exercises while guest essays, guest artwork, and inspiring artwork from the author allow readers to analyze how other artists utilize key artistic elements or principles and see how to successfully use these elements in their own work. Both a personal creativity coach and a guide for a hobbyist or professional artist, this reference clarifies quilting goals and takes the craft to the next level through design and composition.
About the Author:

Lyric Kinard is an award-winning master quilter whose articles have appeared in Quilting Arts magazine, and her works have been featured in numerous books and exhibitions. She lives in Cary, North Carolina.

Product Details
Hardcover-spiral: 136 pages
Publisher: Interweave Press; (September 1, 2009)
Language: English
ISBN-10: 1596681063
ISBN-13: 978-1596681064
Product Dimensions: 10.5 x 9.1 x 0.6 inches
Shipping Weight: 1.6 pounds

For more information about and inspiration from Lyric, check out the latest guest blog! She has great advice.


This I Accomplish
by Kyra Hicks
One of my favorite fellow bloggers (check out my blog list to the right for Black Threads) has written a thoroughly researched and respected book about the quilts of Harriet Powers.

Product Description:
The powerful quilts of Harriet Powers (1837-1910), a former Athens, Georgia slave, continue to capture our imagination today. Her two-known creations, the Bible Quilt and the Pictorial Quilt, have independently survived since stitched more than a century ago. Over the years, thousands of museum visitors to the Smithsonian National Museum of American History in Washington, D.C. and the Museum of Fine Arts, Boston have stood transfixed viewing her artwork. Powers' two quilts are arguably the most well-known and cited coverings in American quilt history. But, until today, no one has told the entire, dramatic story of how these two quilts, one of which initially sold for $5, were coveted, cared for, and cherished for decades in private homes before emerging as priceless, national treasures.
This I Accomplish: Harriet Powers' Bible Quilts and Other Pieces brings to light new, exciting facts - many never before published: complete exhibition history for both known quilts; proof Harriet Powers was a literate, award-winning quilter, who stitched at least five quilts and promoted her own artwork; profiles of the two nineteenth century women who sought to purchase the Bible Quilt; profiles of the three men who once owned the Pictorial Quilt; unveiling of a young artist who embellished the Pictorial Quilt; and the name of the person who first made the connection in the twentieth century that Harriet Powers stitched both quilts.
This I Accomplish: Harriet Powers' Bible Quilts and Other Pieces is the most comprehensive resource guide on this influential African American quilter. The book includes nearly 200 bibliographic references, most annotative, including books, exhibition catalogs, newspapers, plays, poetry, interactive map and more. For the first time ever, readers are provided with clues and encouraged to search for Harriet Powers' lost 1882 Lord's Supper Quilt.
This I Accomplish: Harriet Powers' Bible Quilts and Other Pieces is written by Kyra E. Hicks, a quilter whose story quilts have appeared in over forty group exhibitions in places such as the Fenimore Art Museum in Cooperstown, NY, the Renwick Gallery in Washington, D.C., and the American Folk Art Museum in NY. Hicks is the author of Black Threads: An African American Quilting Sourcebook and Martha Ann's Quilt for Queen Victoria. She lives in Arlington, Virginia.
Product Details:

Paperback: 182 pages
Publisher: Black Threads Press (July 6, 2009)
Language: English
ISBN-10: 0982479654
ISBN-13: 978-0982479650
Product Dimensions: 8.9 x 5.9 x 0.6 inches
Shipping Weight: 10.4 ounces
Congratulations to all of these artists for their accomplishments and hard work. And I've found all of their publications, blogs and work most inspirational and helpful. -- Dawn

Saturday, September 5, 2009

Go Ahead and Play!

Thank you Terri for agreeing to guest blog at Subversive Stitchers: Women Armed with Needles. I think you offer not only beautiful fabric art and visual art, but also a much needed message that we all need to take to heart.

Please welcome fabric artist Terri Stegmiller, in her own words. -- Dawn

I’ve been asked many times over the past couple of years if I have any formal art education or training.

My answer is “no”.

The only education/training I have is what I have learned by myself and from taking an online class here or there.

When I answer that question, many times the person who asked it has a response that they just can’t believe I have no art degree or some formal schooling. Sometimes they respond with “oh, you must be a natural then.”

Let me enlighten you. There is no such thing as being a natural. Everyone has abilities and some are able to master those more quickly than others. But they didn’t just pick up a pencil or a paintbrush, or even a needle on day one and by day two they were producing work that was gallery ready.

Artistic talent takes time.

It takes practice. It takes imagination and it takes dedication. I often see many people get discouraged when they aren’t able to create what they see in their mind or what they see others creating. When they tell me about their frustrations my response to them is “have you taken the time to play?”

What I mean by that is this: Oftentimes people are reluctant to use their craft supplies and materials to play and practice with. Many think they can only use the supplies to make something that is a finished work of art or they think that it is a waste of money to use the supplies for play and practice.

If you never play and practice with your supplies, you will never gain the skills needed to create a work of art and you will never feel confident that your end results are worthy. You don’t need to have anyone’s permission to use the supplies you have purchased. The only person you need permission from is you.

Tell yourself that it’s okay to play and use your art supplies.

Tell yourself that it just doesn’t matter if what you end up with is a pile of junk. Tell yourself that you are in training to become an artist and keep an encouraging dialog going on in your head. Do not let any discouraging or negative thoughts enter the dialog.

Keep up the play and practice for a period of time and you will make discoveries about yourself. You will soon begin to think about the possibilities. You will become much more comfortable working with the art supplies and materials and you won’t feel like you are wasting them anymore. You may even find that you’ve subconsciously set new goals for yourself. You may be thinking about making that original piece that keeps floating around in your head and entering it in a show or contest or you may discover some unique ideas that make the work your own “signature” style.

One thing that I discovered about myself is that I had a desire to draw and paint women’s faces. I don’t know where it came from but I knew that when I’d look at the women’s faces that other artists created that I yearned to be able to do that too. I found it discouraging at the time because there were no resources for learning what I wanted to do. Of course there were books on drawing, but they turned me off as they were trying to teach me to draw real looking faces and that wasn’t the look I was after.

So one day I had a talk with myself and made a decision.

“You are just going to do it,” was the mindset I adopted.

So that’s what I did. I started drawing. I would look at the faces of artists I admired and study them and I would ask myself “What is it about this face that really appeals to me?” I kept drawing and practicing. Believe me when I say that the early drawings were not good. But I didn’t let that stop me and I kept at it.

When I felt that my drawings were starting to look better, I decided I’d try my hand at painting them. Well, needless to say those first trials were not good either. There again I was looking hard at artwork I liked, trying to figure out how they got that look. I was basically teaching myself to create what I saw other artists making.

My trials were not always successful, but I didn’t let my use of my supplies and my failures bother me.

I told myself it was my investment in myself.

Over time, my drawing skills have vastly improved and when I draw faces today, they are much different than the early faces I once did. Even now if there is a new or different subject I want to draw, it doesn’t come to me without practice. My skills need to be developed and refined when I explore a new subject matter and my eye-hand-brain coordination needs that practice time to smooth out the rough spots.

I still take the occasional online class because I feel there is always something to learn and another artist may have a tip or trick that would be just the thing for adding to my list of skills.

You must believe in yourself. You can make whatever you want, but remember that it takes time. Don’t give up and don’t get discouraged. Remember that your work won’t look exactly like the artist’s work you love. But you don’t want it to. You want your work to be unique to you. It should be a reflection of your inner soul and shout out to everyone that YOU made it. Go ahead, play!

Photo information:


1. Acrylic painting on stretched canvas.

2. Five ATCs Terri made for a Cloth Paper Scissors magazine challenge. The faces are hand drawn with black ink and then painted with watercolors onto cotton duck

3. This face is thread sketched onto a quilted background. Shading and highlights are painted with acrylics.

4. This quilted wall hanging features a thread sketched face with transparent paints added for see-through color.
5. This quilted wall hanging features an appliquéd and painted face. I teach an online class on this technique called Faces on Fabric.

6. A small mixed-media paper quilt with an acrylic painted face on a paper fabric background.

7. The face, drawn on muslin with black ink, was then painted with watercolors.


Bio:
Terri Stegmiller is a mixed-media textile artist living in Mandan, North Dakota. Terri is the author of Creative Paper Quilts and coauthor of Creative Ways with Fibre & Stitch. She teaches online at Two Creative Studios. You can see more of Terri at her web site http://www.terristegmiller.com/ and her blog http://www.stegart.blogspot.com/.